In my work I am interested in how we read, perceive and reflect the photographic back onto the world. An additional fascination is the conflict between the photograph as physical object and intangible image, as material surface and infinite depth.
In Re: Series I explore photographic seeing and seduction by creating landscapes of im/possibility. Working with found mirrors, taken to the sub-genres of woods, fields, rivers and coastlines, I compose and catch indirectly glanced at images in-camera. The resulting compositions range from subtle linear interventions to more marred disturbances that complicate the internal logic of the pictorial space.
All work on this page
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Re: The Yar [1]
Re: Bouldnor Edge
Re: Weatherly Fields [1]
Re: Hay Wood [1]
Re: Hay Wood [2]
Re: Hay Wood [3]
Re: Milverton Fields
Re: Alum Bay [1]
Re: Tennyson [1]